Jiang Dalin, Midsummer, He Fanxing . Why are there always silly white sweets in workplace dramas？

Jiang Dalin, Midsummer, He Fanxing . Why are there always silly white sweets in workplace dramas?
Recently, “Perfect Relationship”, “Settled Home” and “I’m Waiting for You in Beijing” have been broadcast one after another, with mixed reputations, but all of them are alternate cities, showing the lives of professional women.Absolutely, domestic urban dramas, traditionally themed to show family relationships, began to be passionate about shaping independent women in the urban workplace-they dreamed of working in big cities, and some achieved recognized achievements; their economic independence did not depend on others, feelingsIndependence is not affected by secular vision.Regrettably, the appearance of these beautiful female professionals in the urban workplace is actually not good in film and television dramas.Sauna and Yewang have counted 7 domestically produced urban dramas that have been aired since November last year, and Douban has an average bloom of 5.26. Most fail.The “Urban Independent Women” characters created in the play are capable of standing up and down, but there are a lot of people collapsing, just like the midsummer of “I am waiting for you in Beijing”, “The next stop is happiness”He Fanxing.Why are the independent female characters in the workplace of domestic urban dramas difficult to escape the strange circle of human collapse?Sauna, Yewang interviewed actor Chen Shu, as well as screenwriters, drama critics and other people.-List of “Independent Women” Interpersonal Matching Degrees-1. Douban score of “I’m Waiting for You in Beijing”: 5.Three female characters: Midsummer (Jiang Shuying) Set: Midsummer believes that “people are great because of their dreams”.In order to realize her dream of becoming a top fashion designer, she came to the United States to work alone.She hopes to have her own designer brand store on Fifth Avenue in the future.Presented in the play: Facing the design competition that he is particularly good at, Xia Xia did not show the ability and experience that an independent woman who has struggled for many years should have.She rushed to the show due to negligence and chance, or met the actor Xu Tian (Li Yifeng).In the process of striving for a dream in midsummer, her former rich second-generation boyfriend strongly supported and sent someone to buy the clothes she designed. Later, the real boyfriend Xu Tian helped her solve the problem of “locating” the new studio address.Some viewers said that such a struggle really did not grind to dream of greatness.Personality fit: ★ 2, Douban score in “Anjia”: 6.2 Female character: Fang Sijin (Sun Li) Personal designation: Anjia Tianxia Intermediary Company’s gold sales, with the slogan “No house I can’t sell”.Under the instruction of her boss Zhai Yunxiao, she became the double store manager of the airborne Jingyi store.She pursues sales performance frantically, and the cold noodles are harsh and unpleasant.The play presents: Fang Sijin is unsmiling and unspoken. When he sees “potential customers,” he rushes up, and he doesn’t care if he robs his colleague’s order.Faced with unreasonable requests from customers, she has a soft mission, and faced with the cold words of her colleagues, she only cares about whether the sales performance meets the standards.Because of her poor background, she was rejected and squeezed by her family, and she developed a strong and self-centered personality.She rents a cheap haunted house, eats gorgeously, and wears the same professional attire every day, but in the constant collision with her colleagues in Jingyi store, Fang Sijin changes slowly at the same time.Personal fit: ★★★★ 3, “Perfect Relationship” Douban score: 4.0 Female role: Jiang Dalin (Tong Liya) Personal design: Australian communication student, has worked as a real estate agent, but has not done public relations.Because of the sudden accident of her father, she was ordered to take over the position of president of the DL PR media company founded by her father.The script presents: kindness and simplicity, a sense of justice bursting out, and sympathy overflowing, in order to pursue self-righteousness and correctness, regardless of the company’s credibility and client’s entrustment.Although he graduated in communications, his professional ability in public relations is basically zero. Every time something goes wrong, Wei Zhe (Huang Xuan) or Wei Zhe and several partners of DL will find a solution.In recent episodes, Jiang Dalin’s blind trust in her boyfriend and his girlfriends has caused serious damage to the company’s interests. On the barrage, there have been calls for “requesting this silly white sweet president.”Personality fit: ★ Female character: Stella (Chen Shushi) Personality: Vice President of DL Communications, and one of the most experienced and prestigious partners.He looks proud and has a strong style, so he can face it in any situation.The play presents: Professional and wise and decisive professional women, who have the confidence and ambition to become the president, and the ability and wrist to match their ambitions.She is responsible for the overall situation and is strong, and she has a clear distinction between public and private.Although Jiang Dalin’s higher position made her lose her position as president, she still gave her strong support in the interests of the company; her marriage went wrong and immediately notified all partners to prepare everyone to avoid the impact of her marriage changeTo the company.Although struggling to get a divorce with her husband, she never brings emotions in her life to work.Many netizens believe that Stella is far more suitable than Jiang Dalin as president.Personality fit: ★★★ ☆ Female character: Shu Qing (Gorro) Personal designation: Customer Director of DL Communication, an independent woman in the workplace, a senior public relations person who can be independent, and a single mother.Presented in the play: first-rate public relations skills, especially good at planning, gentle and intellectual working style, and yet decisive.In the face of a crisis, you can calmly deal with it calmly, resolve the reorganization of defects one by one, and you can clearly separate your work and emotions.Personal fit: ★★★ ☆ 4, “Next stop is happiness” Douban score: 6.1 female character: He Fanxing (Song Qian) Personal design: 32-year-old single independent woman, executive director of Wonderful Decoration Company, with house and car.He is stern in his work, but he is very persistent in love. He is in love with Yuan Song, a young 10-year-old subordinate.The play presents: He Fanxing invited university classmates to drink tea and talk in the office hours, and played with the subordinate Yuan Song in the office, and asked the other party to accept the underground love.As her own problems delayed her time and led her partner to request the termination of the contract, she responded as a company executive by crying . Some viewers commented that it is acceptable for older women to treat love with a girl ‘s heart, but it is difficult to acceptThe 32-year-old executive in Shanghai is a silly workplace.Personal fit: ★ 5, Douban score of “Elite Lawyer”: 5.Three female characters: Dai Xi (Lan Yingying) Personal Design: A rookie lawyer who is a newcomer to the workplace, insists on self, and has a good sense of justice.She later became the best partner in the industry with the famous lawyer Robin.Presented in the play: Dai Xi took the law and started walking Baidu. He likes to stand as a moral preacher from the moral commanding heights.She can completely disregard the interests of the client because of sympathy, and instead move to the defendant; she will ask why Luo Bin will accept the large commission; she also asks Luo Ben to push away a client who once caused her to fail to graduate,Because she can’t face someone who has hurt herself . Netizens commented that Dai Xi “completely lacks the professionalism of lawyers and can’t abide by professional ethics. How can she be embarrassed to talk about the spirit of law?”Personal fit: ★ ☆ 6,” The second time is also beautiful “Douban score: 5.3 Female character: An An (Wang Ziwen) Personal settings: Single mothers who are out of marriage and unemployed post-90s, still rely on their own efforts to bravely pursue dreams, realize the dream of being a cartoonist, and set a good example for his son.Presented in the play: The comics have amazing talents, and they can create the first voted works in the blink of an eye.Optimistic, confused and ignorant, he was late for an important competition and dared to face-to-face with Ebola patients.But the difficulties encountered will always be solved by a voter who secretly loves her lawyer Xu Lang, a good neighbor, Qiu Tian, and Yi Feifan, the ex-husband.Netizens commented: “Do you have to write the heroine like an intellectual disability in order to show the growth of women?”Personal fit: ★ 7,” Douban score in “Crocodile and Toothpick Bird”: 4.6 Female character: Li Nanen (Zhang Tianai) Personal design: Tenacious and strong post-95 international students, majoring in economics at university but studying architecture.After graduating, he decided to study architecture in France. He met Zhou Erwen, and then returned to China to start a business together. He became a leader in the international construction industry.The play presents: On the day of the study abroad interview, running to rock climbing almost missed it. When I went abroad, I did n’t know to carry cash with me. I rented a house in France. The thief came in and did n’t call the police. He chased the criminals . Li Nanen was evaluated by the audience as “love brain””.The play is full of energetic amnesia, sickness, love triangles and old-fashioned love bridges, and the plots related to architecture make learning architecture “the emotions can be unbearable”.Personality fit: ★ ☆?Why ca n’t I stand up to the lack of understanding of women ‘s power, and my creative attitude is not solid enough? Compared with the Korean drama “Mist”, the aura is full, the news anchor Gao Huilan is difficult to distinguish between good and evil;But without complaining, the lawyer Dian, who came back from the beginning, and “The Great Lady Maisel” recovered themselves after divorce, struggling to become a talk show gradually housewife Mickey, even in the domestic urban drama, it is a fit.The taller rooms like Jin Jin and Stella are not deep enough and three-dimensional.In a special interview with Stella Night, Chen Shu, who plays Stella in “Perfect Relationship,” admitted that everyone’s understanding of women’s power is still generally insufficient, which is one of the reasons why the audience is not satisfied with the independent female characters of domestic scripts.”We have seen too many established independent female characters in American dramas, Japanese dramas, and Korean dramas.Some of them are in high positions, and some may be more regular positions, but they will all show the survival status and personality of her social attribute identity, as well as their efforts in social life, persistence and many good things.It is true that in domestic dramas, there is no universality of independence and strong female power. A relatively high consensus may lead to the dissatisfaction of the audience in workplace dramas. It will point out that the independent female characters in our urban dramas are not independent enough.Chen Shu believes that domestic dramas are still in a growing process in this respect, and I believe that there will be more excellent works and female characters in the follow-up.”I have always been full of anticipation and yearning for shaping female roles in the workplace, and I always feel that this part still has a relatively large expression space in our Chinese film and television drama works.”It should have been an independent female character in the workplace with high IQ and high emotional intelligence, and a complex and multi-faceted personality. The domestic urban drama showed neither professional nor independent, but it was easier to simply” Mary Sue “and” Silly White Sweet “.The industry chain is responsible.In real life, urban women who can be “professional” and “independent” need to have experience and experience accumulation, which is destined to be a little girl in their early twenties, and the video platform analyzes from user portraits and needs.The heroine is also required to be young and simple.”Even if the characters are set to 30+ years of age, they also need to have a” girlish feeling “. Is this not contradictory?In his view, dramas that are related to real life are more difficult to write than overhead romance, and require deeper work, and many screenwriters have not enough creative attitudes.”There is a lag in the broadcast of TV dramas. Many of the scripts I see now were filmed a year or two ago, and the creation of the scripts is still too early.At that time, the film and television industry was very hot. At first, small and famous screenwriters were too busy. Many times, the signed screenwriter was only responsible for the key plot checks, and other details were handed over to the team writers to fill.These young people have basically not experienced the real workplace, and the deadline for submission is urgent. Stacking from the novels and dramas they have read is a convenient choice. Presenting is the routine.”?How can we stand up to set the ground for the script, the actors are willing to study the independent female roles in the domestic urban drama, how can we shape it to be sustainable?To convince the audience?The critic “West of the Sun” believes that the creator should walk in front of the audience, rather than flattering the audience.”Audiences like sweet pets, they add sweet love scenes, and audiences like suspense, let the protagonist be involved in the case. This is the product manager’s thinking.The creator’s thinking is that I have the confidence to impress the audience with good works.”Specifically in terms of the shaping of the character, both the screenwriter and the actor are critical. The script should be grounded and not suspended, and the actor’s performance must be true and detailed.”Since the heroine is set to be a professional, the difficulties, contradictions and conflicts that the screenwriter designed for her must be related not only to her own character but also to her occupation.To write this grounded and convincing deep connection, you must have a deep understanding of her occupation and the occupational obstacles she will face.This is not something that can be understood by visiting the company.”In the recent independent female roles in the domestic urban dramas, the house of” An Jia “seems to be beautiful, and Stella of” Perfect Relationship “has been recognized by the audience.Although the script is relatively complex and full of characters, the efforts of the two actors cannot be ignored.Sun Li was pleasantly surprised when she heard that Fang Sijin had a prototype, and felt that understanding the prototype helped her get closer to her role.She described the Fang Sijin presented in the script as a three-dimensional figure with a sun face and a shady face, with flashes of charm but not concealing her inner desires and perseverance.During the performance, in order to show Fang Sijin’s professional characteristics, Sun Li chose to wear very simple clothes and cut very short hairstyles.These details, she referred to a very frugal relative.”She often cuts her hair very short and very short. Sometimes I ask her why she cut her hair so short. She said that I cut it a little shorter. I can cut my hair twice less.”I think this is like a living condition like a room.”Fang Sijin’s short hair style.The picture comes from the Internet Chen Shu said in an interview with Sauna Nightnet that the script is the top priority. After all, actors can only rely on the script to perform. If the script setting does not give the character room to play, the performance alone can’t make a meal.However, when shooting, excellent creators will make their own efforts to maximize the content that does not yet exist in the script, even through research and imagination, and high enough professional ability to accommodate and add points to the drama.”As an actor, the main purpose is to replace the gaps in the text through performance, so that the characters are three-dimensional and vivid, more real and friendly.”Regarding the role of Stella, Chen Shu believes that it is very important to correctly express her social identity as a professional, rather than just interpreting it on the basis of personal character.”How to be a professional like this profession requires details such as form, lines, styles, eyes, etc., to make everyone believe that she has this professional texture, not just complete the plot and lines.”Sauna, Ye Wang Yang Lianjie Editor Tong Na proofread Zhao Lin